ANDRÉ DURAND Twenty-First Century Paintings
THE PRODIGAL PARABALE
Dimensions: 183 x 91.5
Oil on linen
11]And he said, A certain man had two sons:
12And the younger of them said to his father, Father, give me the portion of goods that falleth to me. And he divided unto them his living.
13And not many days after the younger son gathered all together, and took his journey into a far country, and there wasted his substance with riotous living.
14And when he had spent all, there arose a mighty famine in that land; and he began to be in want.
15And he went and joined himself to a citizen of that country; and he sent him into his fields to feed swine.
16And he would fain have filled his belly with the husks that the swine did eat: and no man gave unto him.
17And when he came to himself, he said, How many hired servants of my father’s have bread enough and to spare, and I perish with hunger!
18I will arise and go to my father, and will say unto him, Father, I have sinned against heaven, and before thee,
19And am no more worthy to be called thy son: make me as one of thy hired servants.
20And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
21And the son said unto him, Father, I have sinned against heaven, and in thy sight, and am no more worthy to be called thy son.
22But the father said to his servants, Bring forth the best robe, and put it on him; and put a ring on his hand, and shoes on his feet:
23And bring hither the fatted calf, and kill it; and let us eat, and be merry:
24 For this my son was dead, and is alive again; he was lost, and is found. And they began to be merry.
25Now his elder son was in the field: and as he came and drew nigh to the house, he heard musick and dancing.
26And he called one of the servants, and asked what these things meant.
27And he said unto him, Thy brother is come; and thy father hath killed the fatted calf, because he hath received him safe and sound.
28And he was angry, and would not go in: therefore came his father out, and intreated him.
29And he answering said to his father, Lo, these many years do I serve thee, neither transgressed I at any time thy commandment: and yet thou never gavest me a kid, that I might make merry with my friends:
30But as soon as this thy son was come, which hath devoured thy living with harlots, thou hast killed for him the fatted calf.31] And he said unto him, Son, thou art ever with me, and all that I have is thine.
32It was meet that we should make merry, and be glad: for this thy brother was dead, and is alive again; and was lost, and is found.
Luke 15: 11-32
The Prodigal Son, or Le Fils prodigue, is a ballet created for Diaghilev’s Ballets Russes by George Balanchine, to music by Sergei Prokofiev (1928–29) and the libretto, based on the parable in the Gospel of Luke, by Boris Kochno who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son’s return.
The Royal Ballet (1973) production of The Prodigal Son, with Rudolf Nureyev as the son and Deanne Bergsma’s unforgettable siren, made an indelible impression on André Durand. When the artist came to paint this subject for the third time, it was the Siren that dominated his concept.
Kondaurova as the Siren